Etsy Friday: Gramps Wood Toys

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Tell us about your background. 

When I moved to Colorado several years ago, I would collect sticks and distinguishing rocks along my backpacking journeys. I really loved viewing the Colorado waterfalls during my 2 to 6 day hikes so much that I began recreating natural looking waterfalls for my tabletops with my collection. People liked them so much, I began selling them.

I also love gardening (veggies & flowering plants). My wife at one point wanted a bird bath for our garden like yard. After considering the cost of new ones and how they seemed to lack much character, I knew that I could create one more personal, I just had to figure out how. So I made some concrete molds using a 5 gallon bucket and some large PVC pipe to create a mold for the base and pedestal. The bowl was made by forming concrete over a mound of sand. Along with concrete I added some rebar and wire with the concrete for strength. Then I had the bird bath. Now I just needed to cover it with mosaic tile. I found that to be somewhat expensive so I headed to garage sales and purchased any hard ceramic or porcelain dinnerware that I could get my hands on. Well, in about 6 weeks I had made the most beautiful birdbath. My wife likes sunflowers so I created a sunflower in the bowl, along with green vines crawling up the pedestal made from green porcelain dinner plates. I also made some matching pots to go along side of the birdbath. Needless to say my wife was very pleased.

About a year ago I wanted to get back to log furniture making, I had made some for our home in the past. That is the time our daughter asked if I could make a wooden rocking bi plane for our 5th grandchild soon to be born. Well, I had never considered making toys before but I figured I could make one if I give it enough thought and time to build it. I wasn’t really in a hurry. I had a couple of months before the arrival of our grandson. Well, it turned out great if I must say so myself. You can find a picture of the bi plane on my etsy shop. That plane shown on etsy is the original one. Although, I can make another if someone is willing to contract one from me. I loved making that plane so much that I decided to make wooden toys for children. (Toys fit better in my shop than furniture. My shop is only 12’ x 10’, but there is a lot of equipment packed in there, including a Scroll saw, drill press, workbench, and even a radial arm saw in which I had to cut a trap door in the wall in order to rip lumber. It works great!

Now, I love making nostalgic and vintage style wooden toys of high grade hardwoods and quality finishes. Although most of the styles are vintage or nostalgic, these toys are of my own design, which I love to do as well. Actually I love making sawdust better than designing but the shapes have to come from somewhere.

What inspires you? 

I have a full time job which pays the bills. I love working with wood. I do this toy making in order to give kids a chance to be happy, if only for a moment. I want them to have something that will not only bring them instant joy, that’s really not the main point (although I do enjoy watching the kids play with them). I want the children to have something tangible that they can hold, look at, and ponder as they mature and recollect the memorable times in their own childhood. And as they mature and have children of their own, I would like the toy holders to have something tangible & special from their own childhood so that they can pass it down to their future generations along with the stories that they collect from their own adventures in imagination while growing up with these toys. These toys are designed and created to hold memories and the stories they tell, and as they are passed down to future children & grandchildren they my too also delight and remember the stories of their parents and grandparents. (Yes, my toys will last that long).

As I said earlier, I have a full time job to pay the bills, I really make and sell these described toys so that I can finance the making of more toys just to give away to children who may not otherwise be able to acquire them and for the children who may be facing very trying circumstances in their own lives. Circumstance’s that they or their families did not want or ask for. Examples are the children suffering from health or accidental related circumstances, such as the children in Children’s Hospital in Denver, CO.

Describe a typical session in the studio.

After the lights come on, then the music comes on. I enjoy old time music (Swing music is my favorite, especially Glen Miller and his Orchestra). Depending on the day, I may be designing a new series of vehicles, planes or trains (Trains are my favorite). Or, I may be designing a custom order for a customer. Either way, my shop is usually very clean at this point. It is after some of the penciling is done that’s when things begin to get messy. The real mess is when I am working on a large project such as a series of mini cars,(100 or so). This tends to make my small shop somewhat dusty. It is somewhat better now that I have installed a dust collection system.

As I am constructing a set of toys or an individual toy such as a locomotive train set I let my imagination just go. I can’t help but think as to where this particular toy may wind up and the stories that it too will tell to the children of the children for whom it was purchased for. After a project, whether it is a day or two weeks, it’s time to give the shop a thorough cleaning. This means sweeping, vacuuming, and then blowing the dust from the entire shop.

I really just get lost in my small shop, it’s sure not because of the size. I am lost in imagination. Sometimes I get so lost that my wife will have to ring for me, then I go clean up and we go out to dinner. We try to go to someplace nice, since I may not have seen her in a while.

Name some other artists or artistic genres that have been influential to your creative process. 

This is a tough one. You’re making me think now. I cannot think of any one individual who has been as influential in my creative process other than my Dad. Although I would not consider him as an artist, I do have to say that he has given me and my siblings a feeling of self-confidence. Not arrogance, but the confidence to do whatever we put our minds to. He always told me that.

I have to admit that not all of my projects in life have turned out so well, but I did not give up. I knew that if others in the world can do something, well then, so could I, if I put my mind to it.

I love to learn new things. And I have to tell you that if anyone wants to learn something, there is no excuse not to learn. It used to be that ideas and learning was passed down through the generations, and then built upon. I say that still happens. But if it didn’t happen to you, then you could read books. Finances are not an issue when you have the library. And nowadays you have a world of information at your fingertips through the internet. That’s where I go to learn something I do not know. Places likeyoutube.com or instructables.com are great sources of information.

I have also been encouraged by looking at other artists and crafters on the internet, especially Etsy. What a plethora of art and knowledge. Many great ideas have come from my viewing of others on Etsy. I find that each artist has his or her own unique style of craftsmanship. Well, it’s like taking a stroll through a museum of art. Some people may or may not care much for what I create; I chose to focus on the individuals that do care about my work.

Describe the technical process for creating your pieces. 

Well, I enjoy making things with wheels, so I make sure I have plenty in stock to make what I want to make when I want to make it. I try to keep a few hundred in stock if I can. I also try to keep some select hardwoods in stock as well as some pine. I search the used building supply places for reclaimed wood. I also purchase high quality hardwoods for the very special toys which I call heirloom pieces.
I begin by cutting the stock to length, using my 1970 Craftsman Radial Arm Saw which my father passed down to me. Then it’s off to the scroll saw which is approximately 3 feet away from the RAS. Once the piece takes its basic shape there, then I go to the drill press (approx. 18” from the scroll saw) which also functions as a drum sander to smooth out the rough edges. Then it’s time for some hand sanding and any drilling of holes that may be required.

Assembly is next, along with more hand sanding and gluing. I try to design my pieces so that no nails or screws are needed. I try very hard to use only wooden dowels and glue (The old fashioned way). Once the assembly is done then it’s time for final hand sanding and to choose a finish. I have some personal favorites, but I also try to have some toys that are all natural, using only mineral oil and beeswax.

I think too much worry is put into whether or not the finishes are toxic or not. A little piece of information that anyone can find is that most if not all finishes sold in the in the United States, although may have some toxins while the finish is in its liquid state, the toxins are released after the finish has completely dried. Depending on the finish itself, curing time may be only a few days or as long as a month. I do not sell or give any toy until the finish has completely cured.
After curing, then it goes on Etsy. That is unless the toy is for one of our grandchildren then I might show it on Facebook but I must be careful so the grandkids don’t see it there either before they receive it on a birthday or holiday. I think I’ll wait to show any gifts on facebook until after Christmas.

What advice would you give someone seeking advice about being an artist?

I believe that all of us are created to create. To create something, whether, it is a design, an item, or food, etc. comes from the imagination. I believe that many of us do not use our imagination for creation to its full potential. I also believe that the reason is fear. I know that fear can either be justified or unjustified. Fearing a grizzly bear is justified. Fear of creating something for fear of embarrassment or ridicule is unjustified. Embarrassment is an emotion, something you feel. Although emotions are real, only the individual who is embarrassed can feel it. Emotions come from thoughts, whether, negative or positive. The emotions from negative thoughts are unjustified.
Unjustified fear is not real. FEAR is the anonym for Fake Evidence Appearing Real. Although the fear seems real to the individual, I recommend walking through the curtain of fear and then you will find a boost of self-confidence. Do not worry what others may say or think when you create. You will feel better about yourself and as you continue creating and you will build upon the knowledge that you have acquired to create bigger and better creations.

In the real estate business they say location, location, location. I think any encouragement that I could give to someone who is considering art or creation is IMAGINATION, IMAGINATION, IMAGINATION. Then just do it! I really didn’t mean to get so philosophical.

Gramps Wood Toys Facebook Page
See our first show in Colorado at the Abby Wine Fest on Youtube. What Fun!!
Gramps Wood Toys Etsy shop

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Etsy Friday: Cubiciti

Tell us about your background.

My name is Addy Widjaja and a proud father of a boy and a girl. I live in Palm Bay, FL with my beautiful wife, Lydia. My passion is all about cars, toy and wood. I have enjoyed creating wood crafts since I was in 5th grade. My education in architecture and industrial design gave me a great understanding in design, plan and manufacture process.

What inspires you?

Cubiciti was created after we got inspiration from our son. He loves cars and is always looking for new settings and environments in which to play with them. His active imagination has inspired us to create a one-of-a-kind, modular, and educational media for orchestrating his car adventures.
The first Cubiciti was created for our son, and he enjoyed it so much until now.

Describe a typical session in the studio.

I usually start with brainstorming by doing some sketches, and then just build it hands on in my shop. After I got the form right, then I start thinking how to efficiently manufacture those pieces to lower the cost. I do refine the design if necessary.

Name some other artists or artistic genres that have been influential to your creative process.

I love contemporary modern and minimalist design. Those are always influent my works. One of my favorite designer is Dieter Ram, the man with the concept Less is More behind Braun’s design studio.

Describe the technical process for creating your pieces.

I do a lot of cutting, milling, drilling and sanding for the wooden pieces. My shop is full of small equipments, such as small milling machine, table saw, miter saw, router, etc.

What advice would you give someone seeking advice about being an artist?

Believe in what you do and have a lot of passion on it.

Cubiciti website
Cubiciti Etsy shop
Cubiciti Facebook Page
Cubiciti Pinterest Page
Cubiciti on Twitter

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Etsy Friday: The Wonderland Studio

What inspires you?

When I first started making mobiles, I was inspired to provide some stimulating and engaging artworks for children. Even in art school I had always been drawn to children’s book illustration because I felt is was difficult to find really good artwork that would appeal to children. There is something wrong with that because children need to be exposed to art throughout their developmental stages just as much as they need to play outside or go to school. The fact that this is often overlooked is an unfortunate crisis that robs the child of developing critical neurological pathways that do develop when their minds are challenged by art of any kind. The mobiles are an easy way to bring some art into a child’s world because most homes can accommodate a piece that only takes up a small amount of ceiling space.

Describe a typical session in the studio, do you have any routines?

I start every day with answering customer emails and working on custom designs on the computer. Sometimes this only takes a half hour and other days, it can take half of the day! Once I am done on the computer, I look at my production list for the day (which I plan out, a week in advance, over the previous weekend) and prep all the materials I will need for the day. After all of this I can finally sit down and just focus on making mobiles! The last hour of the day is spent packing and shipping the orders that I have made that day.

Name some people who have been influential to your creative process. 

Well, obviously Alexander Calder. He opened the world’s eyes to a completely different way to view and experience art. I’ve also been very influenced by everyday artists who have taken the plunge to develop their craft on Etsy. There are so many amazing artists and craftsmen in the Etsy community. For me, I need just as much inspiration to run the business side of things as I do to create the work. Etsy is great for this because it really is a tight-knit community as well as a selling venue.

Describe the technical process for creating your pieces. 

Balance! It’s all about balance. I start by playing around with a few cutout shapes. I usually collect a bunch of shapes and make rudimentary groupings that I like. From there I go to my sketchbook to finish off how I want the mobile to look. At this point, reality sets in as I try to reproduce my sketches into 3D form. Rarely does is come out how I planned it on paper but that is usually when the good things happen. You have to go with the flow and see how the shapes want to go together. There is lots of trial and error and lots of balancing going on. I know when I’m done when the mobile just feels right. It will feel balanced to me both physically and visually.

The Wonderland Studio Etsy shop

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Etsy Friday: NeedleForge

Tell us about your background.

I’ve been knitting and crocheting for a few years now, but mostly sweaters and hats and things like that. For Xmas one year, I decided to make plush dolls of all the characters in our D&D group for the players. Everyone sort of freaked out and from there I decided to make plushie versions of RPG monsters and I started doing that at local gaming conventions. I tend to think of myself as a nerd first and a crafter/artist second, and I still do the conventions at least partially because it helps offset the rather costly convention-going habit I’ve developed. I just worked my first “big” show at the first ever Denver Comic Con and it was ridiculously fun and rather successful.

What inspires you?

Mostly whatever I’m fangirling over at the moment. D&D is obviously a huge inspiration. At Denver Comic Con I sold a set of one of a kind Avengers, mainly because I was really enthusiastic about Avengers having just seen the film. I tend to get really excited over the things I like and I try to channel that enthusiasm into creating stuff.

Describe a typical session in the studio.

Well, my studio is my living room and I’m sorry to say it’s probably insanely boring to anyone who isn’t me. Mostly I just listen to podcasts and watch Netflix and crochet for like eight hours at a time. The only time anything is ever different is if I’m working on a commission or some other “special” item, and then it’s just more of the previously mentioned stuff, only with more swear words when I mess up.

Name some other artists or artistic genres that have been influential to your creative process.

Well, obviously the entire amigurumi genre is extremely influential. It’s so cool to me though, the idea that you can take these little building blocks and put them together into something unique and special. There isn’t anything particularly difficult about what I’m doing; I’m not going to lie to myself and act like making monsters out of yarn is a particularly fussy or difficult thing to do, but the combination of these basic geometric shapes, and adding different colors and just changing it up, you can come up with some really spectacular and interesting things. I’ve also been tremendously inspired by my friends’ creativity. www.monster-makers.com/ has such a cute a clever format, and seeing the stuff that she creates based on kids’ drawings really shows me that you can made 3D objects out of just about anything. Going to conventions, I’m constantly inspired and blown away by all the talented people in the Artist Alleys and exhibitor halls. I don’t even know where to start and stop here, because I’m so lucky to be just surrounded by the brilliant artists and people that make up nerd culture in Denver and basically everywhere.

Describe the technical process for creating your pieces.

There is very little actual technical process that goes into it, I think; or at least it’s sort of unconscious. When I knit something (accessories on custom orders usually, most of it is crochet) I have to plan my math out a bit in advance, but knitting and crocheting are so different the way they work in my head. Crochet is sort of organic, and honestly half the things I do I am just making up as I go along. Crochet is to knitting as cooking is to baking. One of them you need a whole recipe before you start, and there is a science in there that can mess things up if you make a wrong turn, and the other is just sort of throwing a bunch of things in a pan and tweaking as you go along.

What advice would you give someone seeking advice about being an artist?

Just make things you love. If you love it, then there is probably someone out there who loves it too. Let yourself get excited about things, like genuine, non-ironic excitement. When you can use that enthusiasm to create art, it’s awesome. And even if you can’t, life is just so much more fun when you let yourself geek out occasionally.

NeedleForge website
NeedleForge Facebook Page
NeedleForge Etsy Shop
NeedleForge on Tumblr

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Etsy Friday: Cathy Durso

Tell us about your background. 

I grew up in northwestern Connecticut, and moved to Boston for college. I received my BFA from the Art Institute of Boston, where I explored many different media, and really latched onto bookbinding. I then went on to receive my Master of Library Science at Simmons College. During my time in grad school, I took a book repair course, which furthered my interest in bookbinding and gave me more of a historical and traditional perspective of the craft. Since then I have continued to make books, honing my skills and studying new bindings and techniques. I have also continued to make other art and when I am not bookbinding, I am working a series of multi-media drawings and soft sculptures inspired by deep-sea animals.

What inspires you? 

I know that many artists say this, but I am inspired by nature. There are some animals that I really just like a lot (deep sea animals, bison, whale sharks) and I enjoy learning more about the natural world. The books I am currently making and selling on Etsy feature embroidery on the front covers: usually small motifs of plants or animals (a fern, a rabbit, and a puffin are a few that I have done so far).

Other contemporary book artists also inspire me. There are so many creative ways artists are using the book format to express their ideas. It’s great to know that even though a book looks very contemporary, the style of binding it uses hasn’t changed in hundreds of years.

Describe a typical session in the studio.

I typically have spurts of creative energy that can last anywhere from 10 minutes to several hours. I always have several projects going so that depending on what I am in the mood to do, there is always something to work on. For example, currently I have the following things to work on in the studio: a half-finished jellyfish soft sculpture, several finished text blocks (sewn pages that will go inside of books) that need covers, and a custom-made portfolio case that needs a few last touches before I can ship it out. When I go into the studio I take a look at everything that needs to be worked on, and I work on the most important thing first (usually that is getting custom orders out the door).

Name some other artists or artistic genres that have been influential to your creative process. 

Since I was in high school, Talking Heads has been my favorite band. Although his work is nothing like mine, I am really inspired by David Byrne’s unique creative mind and the way he has been so successful staying true to his own quirky way of looking at the world. I am inspired by the way he seems to be removed from his work while at the same time still performing it and exhibiting it with passion. Ego is not evident in his work. It’s also inspiring to look back on everything he has done and see a common theme creeping through it all, even though he has worked in so many different media, from music to visual art to film and even PowerPoint. I hope that the same thing might happen with my work as well – that there might be a common theme evident in both my bookbinding work and my visual art. Something not exactly intentional, but that makes it obvious who made the work.

Describe the technical process for creating your pieces. 

My books are put together completely by my own hands. First, I decide on the paper I want to use inside the book (writing, drawing, or watercolor paper). I cut, fold, and stitch together the sheets of paper. The text block is then put in the press, and the spine is glued up. A cheesecloth-like material called mull, crash, or super is glued onto the spine, and then a strip of paper is glued on top of that. All of that is done to make the spine strong and long-lasting. I leave the text block in the press for at least 24 hours.

Next, I decide on the color of cloth I want to use for the cover, and what kind of motif I want to embroider onto the cover. I cut the cover boards and cloth to size, and then stitch my chosen motif onto the cloth. Then the cloth is glued onto the cover boards, the text block is attached to the cover, and endsheets (front and back inside pages) are added. The book has to sit in the press for at least 24 hours, and then it is finished!

What advice would you give someone seeking advice about being an artist?

Work hard during all of your free time. Just like with anything else, the more work you put into it, the more success you will have. But you have to work hard not only on making the work, but on promoting it and building your network as well. I probably spend an equal amount of time actually making work as I do on the business side of things. Both are equally important to becoming a successful artist.

Cathy’s website & blog
Cathy’s Etsy shop
Cathy on Twitter
Cathy’s Facebook Page

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Etsy Friday: Kelsey Pike

Tell us about your background. 

I grew up in Kansas City, KS and moved to Lawrence before senior high, because of their excellent art programs. I have a BFA in Art History with a minor in Printmaking from the Kansas City Art Institute. My final two years at the art institute, I discovered papermaking and spent most of my studio practice working with paper. I now work for the Art Institute’s extension program, teaching kids and adult programs in printmaking, bookbinding and papermaking.

In my senior year, I started my Etsy business “Sustainable Papercraft Studio,” with the idea that I would sell handmade papers. The idea has evolved since then, and I now sell cards, books and other paper items, as well as hand-carved stamps and my most popular items, seed faces.
What inspires you?
I am inspired by well-crafted objects, and individuals who spend their lives learning antiquated crafts.
Describe a typical session in the studio, do you have any routines? 
I have two studios, a dry studio and a wet studio. In my wet studio, I make paper. I begin the day by loading my 3.5 lb Lander Critter hollander beater with the pulp of the day. This could be cotton, abaca, hemp, flax, straw, gampi, kozo or any number of other fibers. I load my vat with the pulp prepared from the pervious day, and pull sheets until the fiber is gone. It is then pressed and dried.
In my dry studio, things are a bit more flexible. I make seed faces each day. I store the colored pulp in the fridge and get it out when ready. I also  spend a lot of time drawing stamp designs, emailing designs, carving and mounting stamps. Right now, I don’t have a ton of time for experimentation or new items, but I’m planning new how-to-do-it Zines and kits for papermaking, bookbinding and relief printmaking.
Name some other artists or artistic genres that have been influential to your creative process. 
Sam Maloof,  dieu donne studio, Richard Bresnahan, Jennie Frederick, Dard Hunter
Describe the technical process for creating your pieces. 
Hand papermaking is a very technical process. It begins with a cellulose fiber, that is cooked in caustic solution. It is then rinsed and beaten in a hollander beater, which macerates and separates the fiber strands. Sizing and acid buffer agent are added. The fiber is then diluted with water and added to a vat. A mesh screen, called a mold and deckle is dipped into the vat. The water runs through the screen, but the fiber lays on top, creating a thin sheet of paper. The wet paper is then couched into a large pile and pressed in a hydraulic press. This aids in fiber cohesion and removes water. I dry my sheets by hanging them, but I’m working on a dry box. Once paper is dry it is sorted and inspected. Sheets with minor imperfections are recycled or sold as seconds. Only pristine sheets make it into my paper packs.
What advice would you give someone seeking advice about being an artist?
The best advice I can give is to make something unique, and to advertise your products unique features. Use the highest quality materials possible and archival techniques. Use organic and fair-trade materials whenever possible. I buy most of my materials on Etsy, from other hardworking individuals. I can sell my products with confidence, knowing that I am supporting small businesses like my own.
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Etsy Friday: Taylored Curiosities

Tell us about your background. 

I have quite a mixed background that often makes people look at me strangely. I have always been an artist, since I could hold a pencil I have created creatures and odd worlds, but I was equally academic, so after school I studied Psychology (which is kind of a family thing) and alternative therapies, then ended up training to be a hairdresser (a bit random I know). I then studied Marine Conservation for two years; working at a Jellyfish Breeding Programme at an aquarium, before moving county to study an Illustration Degree. So I have a pretty varied skills list, but funnily enough, nearly everything I studied comes up in my Taylored Curiosities; whether it’s a miniature beach inside a jar or Aromatherapy Plush, it all came in handy in the end.

What inspires you?

I am inspired by nature. I know lots of artists have long lists of other artists or art that inspire them, but I genuinely pride myself on originality, therefore my only inspirations are taken from my personal experiences, the natural world around me or the really random world inside my head.

Describe a typical session in the studio, do you have any routines? 
I don’t yet have a dedicated studio, however I am very excited as I am moving in three weeks and have a real studio ready and waiting for me to move into. So it should all get a lot less hectic very soon. But for now, all my creations are made in my living room (or garden on a sunny day).
Describe the technical process for creating your pieces. 
I’m not sure I am particularly technical. I doodle LOTS, we’re talking pretty much all day long and on any paper I have in front of me. Then every now and again, one of my doodles will jump off the page and really hook me. I then turn it into a 3D soft creation. There’s no real rhythm or rhyme to what I do. I generally try to fit so much into each day that I really do just have to go with the flow.

What advice would you give someone seeking advice about being an artist?

Being an artist is hard work. It can be a struggle to stay positive at times and you forget that not all people are going to say nice things. BUT there are some wonderful, supportive folk out there and without them and my family I wouldn’t be where I am today. Their comments and love of my work is the most rewarding thing for an artist. So my advice to anyone who wants to create for life would be; don’t give up, don’t let them get you down and never lose faith in your creations.

Taylored Curiosities Etsy Shop
Taylored Curiosities Blog
Taylored Curiosities Facebook Page

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Etsy Friday: Eric-n-Jen

Tell us about your background.

I’m a mechanical engineer by training and my wife is an accountant. Growing up my mom was always doing crafts of one kind or another. Now my mom knits gloves and sews, my sister paints and does pottery and makes soaps and I turn wood. The great thing about Etsy for me is that my wife and I are a great team. I can have fun creating wooden creations and my wife can use her business background to market the shop and handle most of the PR as well. I really got into wood turning when I was laid off for about a half a year and need a cheaper hobby (combat robots was hard to sustain with limited income. It may sound like an odd jump but both robots and wood turning are a creative outlet.) I spent about 2 years practicing and making bowls as gifts. Our house started to over flow and my skills had gotten to the point where I thought I could sell some. That was a little over a year ago when I joined the Etsy community and it has been a great ride.

What inspires you?

The great thing about wood is that it does a lot of the work for me. I use a lot of reclaimed wood so I often have to work around cracks, soft spots or insect holes. While that might sound like a bad thing it forces you to go in directions that you hadn’t planned from the beginning. I think what I make is different than everyone else because of the material that I start with in large part. I love adapting a bowl to show off some unique grain pattern or a knot in the wood. What I think is great with wood turning is that you don’t have to be exact all the time. If you make a mistake and take a chunk out of a bowl you just change the design to incorporate less wood in that section. Now when I look at trees I can’t help but imagine the possibilities under the bark!

Describe a typical session in the studio.

I use the small utility garage that is connected to the main basement area where my kids play. Its fun working and having my kids walk in and out playing with pieces of wood that didn’t quite make it or building towers outs of chunks that have yet to be formed. Typically I choose a split log and just start by rounding it on the lathe. Only after I turned down a log can I really decide the final form. Often a crack might go deeper than expected and I have to change the shape I size that I was hoping for. Normally I am able to take a log from start to finished product in under 2 hours depending on the size or complexity. Periodically I sweep up the wood shavings all over the floor so that if my kids come to see what I am up to or need some help I will not track shavings throughout the whole house. Working on the lathe is very relaxing for me and is great because you have a sense of accomplishment at the end of an evening.

Name some other artists or artistic genres that have been influential to your creative process.

There are a lot of great wood turners out there that I have either watched on Youtube or have books from. I have gotten many techniques and methods from watching them. One of the more fun things that I learned is to use my old microwave to cook wet wood so that warps in minutes as opposed to weeks or months. Largely I am self taught so it is difficult to say what one person has been influential. I have noticed that the nicer my equipment and tools are the more creative I can be.

Describe the technical process for creating your pieces.

There are certain areas where you can’t be as fluid in your design. I mainly use 4 jaw chucks to hold my work on the lathe. I have several different sizes that allow me to grab small medium or large tenons or feet. The first thing I do is form the tenon so I can chuck the wood after the rough cut. I almost always start by shaping the outside of the bowl first. That way if I make a mistake I can always make a smaller bowl instead. After I am happy with the outside I use a 4 jaw chuck to hold the piece. If I am making a bowl or hollow form I determine how deep it will need to be and use a drill bit mounted on the tailstock to drill a starter depth hole. I use various tools to hollow out until I get to the bottom of my pilot hole. I then start to shape the sides and try to get an even cross section. I get the shape to where I am happy and then sand everything to get a smooth surface everywhere. After sanding I grab a pile of wood shavings and press it against the spinning wood. Wood is an excellent abrasive and leaves a glossy surface. Normally I finish each bowl off with either walnut oil or Danish oil and then thin layer of shellac, all applied on the lathe while spinning. I sign and date everything I make now. When I first started I didn’t date anything but I realized that it is nice to be able to see your skill level improved over the years. For those that my wife lets me sell I number to make it easier to keep track of.

What advice would you give someone seeking advice about being an artist?

If you don’t enjoy it don’t do it. You have to want to do it and constantly strive to improve. For me there is no formula or set way of doing something. One thing I love about being on Etsy is that people ask if you can do stuff that you have never tried before. So far I haven’t turned anyone down and it has challenged me to constantly try new techniques and new forms. I love the feedback I get from strangers and knowing that something I have made is a treasured item in their home. When I first started out I bought the cheapest, longest lathe I could find and a cheap set of tools. It was great to learn on and see if I would really like it. Thankfully I was able to get a nicer lathe and receive some nicer tools after a year or so. It is amazing what difference nice equipment can make! There is no replacement for nice tools. In every hobby or job having good tools makes a world a difference and results in a lot less frustration. I am now able to enjoy my art much more and am able to do it faster and at a higher level of quality. For some wood turners that prefer to dive deep into one form, such as pens. For me I rarely do the same type of thing for very long. I have made bowls, goblets, plates, candle sticks, vases, ornaments, boxes and jewelry, and from each one I learned something new.

Eric-n-Jen’s Etsy shop
Eric-n-Jen’s blog
Eric-n-Jen on Twitter

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Etsy Friday: Misanthropy Creations

What inspires you?

I find color inspirations from:
Under the sea.
In the sky.
Science fiction movies, television shows, books and magazines.I also find inspiration from crafts stores. I could spend hours upon hours just walking around and getting ideas while looking at the supplies and then purchasing them to follow those ideas through to completion. Love and friendship are also huge inspirations for me as well. It’s such a great feeling to give someone a gift that you made and see their face knowing that you made that item.
Describe a typical session in the studio.
Well my studio before was just my coffee table in my living room with a book shelf to hold all of my supplies but now that I just moved I have a whole spare bedroom dedicated to my craft. I’m very lucky to have the room to work.
Name some other artists or artistic genres that have been influential to your creative process.
I love horror and I’m obsessed with morbidity and oddities. If a normal person thinks a certain something is a myth I probably believe in it. I tend to be a bit on the eccentric side!
Describe the technical process for creating your pieces.
I usually spend my days off from my typical day job in here milling around. I love to just lay everything out on my craft table and mix and match and then assemble! When it comes to actually purchasing my supplies I tend to purchase things I can see myself wearing. I may not have the best taste but I know others out there share it, so I may have a niche market but I’d like to make girls like myself happy!
What advice would you give someone seeking advice about being an artist?
Don’t take criticism seriously and keep with it. Don’t get discouraged if someone doesn’t like your work. All that matters is that you like it because it came from within you.

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Etsy Friday: Gretchen Lewis

Tell us about your background. 

Hello! My name is Gretchen Lewis, and I am a plush artist, obsessive doodler and diminutive blue-haired elf from the woods of Northern California. I am 22 years old and I am currently in the process of moving myself and my life to the beautiful city of San Francisco. I am so excited for this next big adventure!

What inspires you? 

I am an incurable daydreamer. I draw inspiration from every place I go, from the people, objects and landscapes around me. I sometimes have a pretty hard time keeping my mind from wandering – visuals around me spark little pictures in my head, some funny, some intriguing, and these hang around my head like little clouds until I bring them to life through my drawings or plushies. I keep a tiny sketchbook with me most of the time so I can jot the ideas that life throws at me down to use later. (:

Describe a typical session in the studio.

At the moment I am a bit of a nomad, travelling and adventuring for the summer, and I have no real studio! This hasn’t proven to be too much of a problem though, I tend to have the ability to create no matter where I am. I have packed up my markers and sewing machine and taken my shop on the road with me! Back home, my workspace was cozy-cluttered with pretty things that inspired me. Books, toys and vintage treasures from yard sales and flea markets – I’ll admit, I am a bit of a packrat. (: I usually set myself up to work with music, kitties, and plenty of tea.

Name some other artists or artistic genres that have been influential to your creative process. 

I have a deep and personal love for children’s books, particularly the work of Maurice Sendak, Lewis Carroll, Beatrix Potter, L. Frank Baum, Antoine De Saint-Exupery, and the fairy tales of the Brothers Grimm and Hans Christian Andersen. My love of illustration as a child has now evolved into an obsession with indie comic books, graphic novels, and a new appreciation for the artists of the “Golden Age” of illustration. Creator of the 1900s comic strip Little Nemo in Slumberland, Winsor McCay, especially, is a personal hero of mine. I also feel my work has been largely influenced by cartoons, the contemporary lowbrow and toy art scene, and by my love of cephalopods and marine biology.

Describe the technical process for creating your pieces. 

The way I work on my plushies has been described by others who sew as somewhat backwards. I taught myself to sew and I often approach a new idea in sort of the same way one would approach a painting or sculpture. I don’t use patterns or plan out much. I start with an idea or a doodle and some fabric, and just kind of build the plush in whatever way seems to make sense to me. I enjoy the way that this makes every individual plush unique, so even the characters that I make over and over again each come out a bit different. I also find a strange comfort in tedium, and my general process is certainly tedious – though definitely worth it!

What advice would you give someone seeking advice about being an artist?

Don’t be too afraid of failing! I know how it feels to start out with a burning inspiration and then to create something that is just awful. When I first started making plushies, the perfectionist in me was so not okay with misshapen and poorly constructed creatures that I was producing. These were not the toys I had in my head! I felt bad for them, and I almost felt like giving up. But my ideas were still exciting to me, and that was enough to keep working at it, one wonky plushie at a time, until I reached a point where I realized I really did like my own work. And that is a good feeling. (:

Gretchen’s Etsy Shop
Gretchen’s Facebook Page

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