Slowing Down

Amigurumi Duck

I have two more amigurumi ducks now available in my Etsy shop! I’ll eventually learn new shapes and patterns, but for now, I’m on a personal quest to make as many ducks of different shapes and sizes in amigurumi! I’ve actually had to slow down with the crocheting over the past few days, I started to get a little pain in the middle of my left forearm the other day and I’m fairly certain that it’s from all of the crocheting I’ve been doing. Many years ago I injured both wrists with DeQuervain’s Tenosynovitis, so I’m especially mindful of anything potentially doing wrong with my hands and arms. So I’m trying to spread out my time crocheting, working on my amigurumis every other day instead of 1-2 times in a single day.  A good excuse to get back to that tropical bird plush that has been sitting neglected on my work table for many days now!

Amigurumi Duck

My First Amigurumi Duck

Amigurumi Duck

My first amigurumi duck is now available in my Etsy shop! Hoping that this is the beginning of many amigurumis to come!  I’ve been reading and looking at amigurumi patterns online, and I think I’ve discovered that I’m not really into the idea of following a pattern verbatim. To be honest I don’t think I have the patience to read through a complicated pattern, and also I find that if I have to read a pattern the process doesn’t flow as well for me and is therefore less relaxing. The whole reason I started to learn amigurumi was to find a way to unwind and relax.

I like the idea of studying other people’s patterns to figure out what kind of shapes to make (a sphere, a cone, etc.)  but I really want to be making my own designs. So my new plan of action is to figure out how to make a variety of shapes and then assemble them together to make my own original pieces.  You can see that this first amigurumi duck is very simple, just two spheres and two wings attached together, so even though it represents how limited my skills are at this time, I’m still proud that it’s a design that I came up with on my own.

Amigurumi Duck

Etsy Friday: Gienie

Tell us about your background.

My name is Gienie and I’m 29 years old. I live in the Willamette Valley in beautiful Oregon and absolutely love it here. My husband Tim and I have been married 12 years and we have 5 children, 4 boys, 1 girl….and a few skeins of yarn. I have a LLM Degree in Environmental Natural Resources Law and I’m about to graduate in June with my SJD. I love lobbying and lawyering… but because my kids are so little and so impressionable, my husband and I both decided it was best to stay home with them until they are old enough to make their own educated decisions about life and living.

Staying at home with 5 kids all under the age of 10 means there are times when I need to unravel. I’m sure any stay at home mom can relate! I have always had a desire to learn to knit, but never pursued it until I found out we were having a little girl. I loved the idea of making her beautiful things. Making time to knit clothes and toys was such an amazing and intimate expression of love to me, and I wanted to be able do something that would show my daughter how much she blesses my life for years to come. So I took the plunge! I’ve been knitting for almost 2 years now and I’m only sorry I didn’t start sooner!

My husband was the one who encouraged me to open up my Etsy shop… and so here I am today…selling my kits to people all over the world! I love a good challenge, I LOVE helping people and providing a product that will be used and appreciated for what it is and what it took to create it.

What inspires you?

I’m inspired by human innovation. When I think about the endless possibilities of knitting, my mind zooms into overdrive and before I know it… its 4 in the morning and I only have a couple of hours to sleep before I get up with the kids! For some reason, this doesn’t bother me much! The challenge of complex patterns and charts relaxes me and provides the sweet satisfying illusion that I’ve conquered the world [insert sinister laugh here]. Knitting for me… is bliss.

Describe a typical session in the studio, do you have any routines?

A typical day for me starts out with coffee… LOTS. OF. COFFEE. After I’ve lectured my children about the importance of keeping their underwear and socks in a place they can find them for the agabagillianth time, I send them off to school making sure each one received a perfectly packed sack lunch, hair neatly combed, shirts all tucked in, and a kiss on their foreheads. Actually nothing about that statement is true… except the part about underwear and socks.

My days aren’t really typical. Each morning presents something new. Somehow amidst all the exhausting but joyful (and I truly mean that) chaos I always find time to knit! I’ll view and organize orders first, taking inventory on yarn supplies and ordering new supplies when necessary. Then I respond to inquiries, and get packages ready for scheduled currier pick-ups. Nap time is the time I find I can concentrate most on educating myself and challenging myself with new techniques…after all, there’s always room for improvement!



Name some people, artists, or artistic genres that have been influential to your creative process. 

I love reading knitting journals and blogs. Currently I keep myself updated by reading posts on Ravelry.com. Knitters all over the world post there and are constantly uploading new patterns, and sharing the latest trends, styles and techniques. I love the personal stories–(each knitter has one) and I love being able to create and receive constructive criticism on how to improve my own work. It’s an AMAZING community and even if you’re not a knitter, it’s a great place to learn about the trade and the history behind the trade itself.

Describe the technical process for creating your pieces.

When I first learned how to knit, I loved the fact that there wasn’t a particular or exact way to do it. Every knitter holds their needles and yarn differently and there’s nothing right or wrong about it. I’m a naturally artistic person and I was intrigued to learn any knitter can come to the same point of destination even though they’ve taken different routes to get there. I can’t think of many trades that provide such freedom of expression. I enjoy learning, and have found knitting provides an environment for continual growth.

For beginners, I recommend going to your local library and checking out children’s books on how to knit (that’s what I did) and Youtube is a GREAT resource as well. Practicing your stitch is key, and can be done practically anywhere. Knitting is one trade you can take with you wherever you go!

Thanks for allowing me the opportunity to introduce myself and my hobby. I hope you’re inspired to at least try it… and if it doesn’t work out, you can be sure the experience of fiddling and fidgeting and entanglement will AT LEAST provide excellent entertainment in conversation with your peers for years to come! That in itself makes it all worth it eh??!! Happy Knitting!

Gienie’s Etsy Shop
Gienie’s Facebook Page

Ducks

Studio View

I figured out how to make wings and small beaks over the past week, so I’ve been busy producing these parts for the various ducks I’ve been assembling. It’s been very satisfying to put together the finished ducks and see their expressions!  I think that some of these might even make it onto my Etsy shop. I feel a little self-conscious about putting them in my shop right now because I’m just an amigurumi novice, and I want the technique to be really good. I think I’ll choose the ones that I feel are the most technically accomplished and go from there.

As you can see in the photo above, I’ve also been experimenting with different shapes, so in this past week I’ve been crocheting pear shapes. I think the pear shape makes for a very funny shaped duck.

Etsy Friday: Kristin Parsons

Distinctive and playful, I was pleased to discover the illustrations of Kristin Parsons on Etsy a few months back. Many people don’t know this about me, but I did my BFA in Illustration and so I actually have a lot of experience looking at and critiquing illustrations.  I am particularly attracted to Kristin’s unique way of balancing color; she achieves excellent relationships between colors. I also love the whimsical nature of her various characters and creatures in her pieces.

Tell us about your background.

I was born in Houston, but lived most of my childhood and teen years in Canada and Europe. Dad’s career with international engineering firms took our family, in succession, to Montreal, The Hague, Barcelona, and Frankfurt. I’ve been making art constantly since I was two years old. Both my grandfathers and an aunt were artists, so it’s probably in my DNA. I took my first serious art classes on Saturdays in my very early teens, and after I graduated from the American High School in The Hague in 1964, I stayed in Europe for art school and lived at home. In Barcelona, I studied illustration at the Escola Massana and worked at Estudios Moro, maker of animated cartoons, as an inker and later a background designer, well before the advent of computer animation. In Frankfurt, I studied illustration at a school now known as the College of Art and Design Offenbach am Main. It was also in Frankfurt that I met my husband, then a lieutenant in the U.S. Air Force. We married the next year, and a year after that we returned to the States when he resigned his commission in favor of graduate school. Our daughter is a gifted craftsperson, married to an architect, and she’s the mom of the little guy (nearly six years old) who inspires the graphics I sell on Etsy. As for my career over the last forty-plus years, I’ve sold my work in galleries and art fairs, participated in group shows, done book illustrations, and taught art to kids and adults. And now I sell my art online on Etsy.

What inspires you?

My grandson, as I mentioned, is currently my best inspiration. He’s cute, he’s smart, he’s clever, a whirlwind of ideas and creative activity. It’s that spirited sweetness that goes into making my art for children. I’m also very inspired by random colors and interesting shapes and textures I encounter, both man made and in nature.

Describe the technical process for creating your pieces.

The art I’ve done most of my adult life (ink drawings and watercolors, mostly of people) is very different from the art I sell on Etsy, which is nearly all made on the computer. I started experimenting with digital art about ten years ago. After my grandson was born in 2006, I wanted to make him some handmade picture books with simple, direct, and colorful illustrations, so I developed a method to create a variety of little creatures by arranging pre-made components — body shapes, feet, eyes, antennae, furry bits, etc. — that I drew by hand, scanned in, and digitally manipulated in various ways. (I’m Dr. Frankenstein!) Over the years, I’ve built up a large library of components, which I mix and match to make new creatures. My experience at the animated cartoon studio still comes in handy, especially in keeping things simple and direct.



Name some people, artists, or artistic genres that have been influential to your creative process. 

As a child and teenager, I was exposed to the great art and design of Europe. My impossibly lofty childhood goal was to draw as well as Michelangelo, but as a teenager, I broadened my horizons to include experimenting with modern ideas as well. I also used all sorts of things as a child to train myself — for instance, at around ten, I learned the basics of drawing hands by studying how they were drawn in comic books. When I was twelve, my aunt gave me an anatomy book for artists. She was very encouraging and taught me things I still use as an artist every day.

Describe a typical session in the studio, do you have any routines?

I drink my morning coffee at the computer in my studio (which is also a guest room), and unless something comes up or I have other plans, I’m there all day. If I have an Etsy order to fill, I do that first thing. Otherwise, I work on ideas for new creatures or create new color schemes for existing ones. I also compulsively tweak things in my Etsy shop. I’ve had so much fun with this, I’ve neglected my other art, so lately I’ve been making sketches for ink and watercolor drawings I’d like someday to offer on Etsy in a second shop. It’ll happen eventually!

Kristin’s Etsy Shop

Amigurumi Spheres

Studio View

I’ve been on a major roll this week, even since I figured out how to crochet a sphere. I’ve been crocheting every time I have a free moment, so I’ve been averaging 1-2 spheres each day. When I feel tense or restless it gives me something busy to do with my hands to distract me. I’ve been experimenting with different sizes of spheres, thinking that eventually I’ll be able to attach them together to make some birds and chicks. I’ve been so focused on learning the amigurumi that my poor tropical bird plush has been sitting neglected on my sewing table for several days now! I know eventually to learn more I will have to learn how to read patterns, but I also like the idea of creating shapes on the fly and then imagining from there where to go with the shapes.

Etsy Friday: Michael Locascio

Tell us about your background.

I have a background in fine art sculpture, starting with an apprenticeship at a bronze monument studio in NYC. I eventually found my way to making prototypes for action figures and collectable statues. My partner Jean’s background is in toys and collectables too, and he also handles the technical end of molding and casting our product.

What inspires you?

Our style is influenced by mythology, the occult, and the macabre. Many of our pieces are inspired by historical sources- tomb art and ossuaries, as well as cross-cultural dark themes, such as Dia de los Muertos, voodoo, and steampunk.

Describe the technical process for creating your pieces.

Our pieces are hand cast and finished, then painted or patinaed. So I split my time between fulfilling orders as they come in and then shipping them out, and working to create new pieces. There is a significant development process from concept to finished product, so I may be researching, sketching or sculpting in a given day.



Name some people, artists, or artistic genres that have been influential to your creative process. 

I grew up studying Renaissance and Baroque artists, so that is my first influence. Since a focus of our product is on decorative and functional pieces, I look to how even some old masters applied their craft to similar work. A lot of 19th century sculpture and Art Nouveau explored function and style; we bring attention to detail and form through these influences. A lot of dark or gothic art I see today can be lackluster, so we try to give our pieces a sense of classical maturity. Current favorites of mine are Kris Kuksi and Vania Zouravliov.

Describe a typical session in the studio, do you have any routines?

I keep a notebook of ideas, and when my interest is piqued by something I read or see in a museum, I will jot it down and roughly sketch out some concepts. Most of the design I work out in 3d, mainly just because I am most comfortable sculpting. Larger pieces I use chavant clay for, and for smaller pieces I use the castilene wax from my toy work. Since many of my pieces are intricate, I consult with Jean about making them mold and casting friendly. Generally we cast in a durable and high quality resin, though for candlesticks we use a flame resistant agent, and infuse them with metal powder to give them weight. I tend to experiment a bit with finishes and color, going for an antiqued look that will compliment the work.

Michael’s Etsy Shop
Michael’s website
Michael’s Facebook page
Michael on Deviant Art

Want to be featured on Etsy Fridays? Get more information about submitting your work here!

Tropical Bird

Studio View

I can’t get enough of the crochet, I’m totally addicted and have been crocheting every time I have a free moment. For me crochet is the perfect balance of busy/mindless/productive that I’ve been looking for, and I also love the fact that it’s so portable. I’ve even been bringing the crochet to work when I want a few minutes to unwind to take a break from everything!  I haven’t ventured into learning how to read amigurumi patterns yet, but I’ve had fun just winging it on a few round shapes and have come up with some parts that I think I’m going to try and transform into chicks and birds.

Despite my daily crochet adventures, I do have a new dolly brewing, I think it’s going to evolve into a made up tropical bird with cute feathers on it’s head. (You can see the body in the photo on the left) I initially sewed the body trying to make a body for Lulu the cat, but the top didn’t come out round enough so I tried to imagine the form as something else. I love how these mistakes can turn into something new and unexpected. So many of my dolly designs in the past were the result of a happy accident that I just ran with.

First Crochet

IMG_9895

I have a lot of nervous energy, which is probably why I have so many active projects going on: between my teaching, my fine arts work, and my Dollies project there is always plenty going on. At the same time though, I also need periods to decompress.  Lately I’ve been feeling tense and have been having a hard time relaxing, even when I know that I’m dead tired and need to rest.

So I decided that I needed something mindless and easy that I could do with my hands to keep myself busy but “rested”.  This week I decided that I want to learn amigurumi, a crochet technique for making cute crochet animals and dolls. I’ve admired for some time now many of the amigurumi shops on Etsy, and if I ever get good enough, I might even be able to make amigurumi of my Dollies.

I actually used to crochet when I was a kid, but I’ve forgotten all of the techniques and started over from the very beginning. Working with an online tutorial that I found, I started to learn the basic techniques for crochet and had a blast last night making the test piece that you see in the photo above. I find the repetition of the actions calming but stimulating at the same time, the perfect balance of busy but relaxing.

Etsy Friday: Adie Williams

Being a plush dollmaker myself, I like to think that I’m very selective when it comes to finding other plush pieces that I like; it takes a lot to impress me when it comes to plush dolls! So when I found Adie’s adorable plush creations I was excited by the combination of their charming character designs and immaculate technical execution.

Tell us about your background.

My background is a patchwork of many different ventures and experiences that have led me to where I am. To start- I’ve been a crafty and creative type of person since I can remember. I was turning trash to treasure, drawing, painting, etc. as a child. I was refinishing furniture in high school. I did go to college and became a teacher, which wasn’t the right choice for me ultimately. From teaching(a short-lived career) I went into sales for a few years then ventured into the non-profit world for several years as both a speaker/presenter and volunteer coordinator for a couple of great organizations (an abuse prevention agency called Barceda Families and Girls Scouts USA). It was while in one of these positions that I first learned to crochet and also heard about Etsy, a fairly new company at the time. It was 2006 and I had recently learned to crochet and really enjoyed it. I’d found something that I absolutely loved to do. My first projects were twisty scarves and some loopy afghans but I kept at it until I could pretty well create smooth straight lines and could execute all of the different types of stitches. Then I started making bags- felted wool bags- and I lined them with fun fabrics, embellished them, made leather handles, etc. People started noticing my bags. One of these people asked if I’d heard about Etsy, and….here I am. I started my shop immediately and sold handbags for a while. But then, I made my first bunny and went crazy designing plushies and “perfecting” my understanding of making amigurumi- which is the real term for the type of toys I make. The bunnies led to turtles and frogs and monkeys. Then teeth and pigs. And now I’ve even got a ring-tailed lemur and a three-toe sloth. The bunnies remain half of my overall sales though. I still dabble in other crafts. I rework thrift store clothing into wearable pieces, paint, work with paper, and still love to refinish furniture. But my trusty crochet hook remains my true love. I currently work from home- a flexible job that allows me to spend quite a lot of time also working on my Millie Fern projects. There is never enough time, however, to create as much as I’d like. I’ve got so many ideas for new designs; no plans of slowing down!
What inspires you?
Color. Texture. Nature. Music. In terms of what inspires me for designing the animals, it just depends. Sometimes I just see a finished idea in my head of a certain animal and have to make it right away. Sometimes a client will ask me, for example, “Can you make an otter?” and I say, “Yes, I can” and this type of exchange leads to new designs. Anytime I’m asked to create a new design by custom request I look up images of the animal. I find a picture that speaks to me, and there is usually some feature that I focus on. With the otter, its those whiskers. With the Koala, I went for a rather large nose (relatively speaking), etc. I usually let things sit in my brain for a bit before starting a new design. Usually the idea of how exactly I’ll execute it comes to me as I fall asleep. Funny how it works- but if I just let my brain mull something over, it will come to my attention when it’s ready. (For more on the mysterious workings of the brain, everyone should read Jonah Lehrer’s “How We Decide”) Sometimes a color or texture of yarn speaks to me and I see what it could be. Inspiration is everywhere.

Describe a typical session in the studio, do you have any routines?

My studio is all over the place. I work in our living room and in our sunroom/sitting room mainly. I usually play music or a podcast (I love Radiolab!) while working. I sit down with my supplies and just get to work. To have an actual studio would be a dream, but I do have a yarn closet. It’s a huge closet and it’s just for my yarns. They’re divided by fiber content and then also by color, with all of the lovely wools being in closed bins. Cottons on a shelf, acrylics/fuzzy yarns on another shelf, and finished plushies on yet another shelf, etc. When I’m photographing plushies, I’ve got a set up in our guest room near an east-facing window. When I’m uploading photos or answering emails or convos, etc, then I’m on the laptop at the dining room table, as I am now. So, you see, I use the entire house as my studio.
I do usually start/finish an animal in one sitting. For the wool critters, that then requires felting. My plushies take me anywhere from 30 minutes for the most simple of the minis to a couple of hours for a few of the more detailed pieces.
Name some people who have been influential to your creative process, and describe why they have been important to you.
Millie Fern was my great grandmother. She passed on when I was young, but she still inspired me to smile and enjoy the beauty life has to offer. There is beauty everywhere. She was a lovely woman. Her daughter, my grandmother, also inspired me to use my imagination and creativity and is a crocheter and knitter. My dad is an artistic person and I aspired to be able to express myself as a child through art projects- oh how I wanted to be able to draw like he could! My maternal grandmother is a fantastic quilter. My family is filled with very creative and crafty people. My husband is very creative as well; he is a landscape designer. His ability to visualize the big picture, the “what could be” is amazing. I suppose I do that too- just with yarn.
Describe the technical process for creating your pieces.
I’ve only just started to write down my ideas and keep track of exactly how I make items. I don’t use patterns. I think in shapes. I know how to make shapes, and I see the finished animal in my head and make the shapes to get there. When I say I write down how I make the items, I don’t do that ahead of time. I don’t write out a pattern and then follow it. I make an item and write down what I did, so I can do it again and again. I started doing this when I began adding more variety in animals. At that point it was essential for me to be able to recreate the animals and I didn’t want to rely on memory for that. For a few of the animals that I don’t make as often, I refer back to my notes to refresh my memory and get the shapes just right- that way the plushie someone receives will look like the picture in my shop and I don’t have to rephotograph items every time(though I do update them periodically). That said, each animal still has it’s own little personality. As soon as I snap in those eyes and attach their ears and such, their little faces just come to life. Still makes me smile.

I try to work with natural fibers. I mainly use cottons and wools. I do use synthetics for the items that are fluffy/fuzzy or chenille, and some of the minis use acrylics simply to keep them inexpensive. But wool is my favorite to work with. The felting process of the wool plushies is something I do in the washing machine. There is a way of knowing how full to fill the finished items with stuffing (I stuff them and assemble them before felting) so that once felted, the item is just how you want it. Not too much stuffing, not too little, etc. I figured this out by trial and error. The crochet wool shrinks up a bit during felting, so that has to be taken into consideration. The felted items then have to dry, usually overnight, before being ready for shipment.

The cotton items are actually a bit harder on my hands to make; you have to crochet them with even smaller hooks and more tension(that will not make sense unless you crochet or knit) to get the tight fabric, no holes with stuffing showing through, etc. They take a bit longer to make because of this.

Adie’s Etsy Shop
Adie’s Facebook page
Adie on Twitter : @MillieFern

Want to be featured on Etsy Fridays? Get more information about submitting your work here!